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Статья опубликована в рамках: Научного журнала «Студенческий» № 18(272)

Рубрика журнала: Философия

Секция: Религиоведение

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Библиографическое описание:
Popchenko Ya. THE IMPACT OF SATANISM ON POPULAR CULTURE AND POP CULTURE // Студенческий: электрон. научн. журн. 2024. № 18(272). URL: https://sibac.info/journal/student/272/330460 (дата обращения: 16.06.2024).

THE IMPACT OF SATANISM ON POPULAR CULTURE AND POP CULTURE

Popchenko Yaroslav

student, Department of Philosophy and Theology, Belgorod State National Research University,

Russia, Belgorod

ABSTRACT

This article explores the impact of Satanism on popular culture and vice versa. She examines how Satanic images, themes and ideas permeate music, films, television and other forms of popular culture, as well as how popular culture shapes the perception of Satanism in society.

 

Keywords: satanism, popular culture, pop culture.

 

Satanism has a long and complicated history in the music industry, especially in the genres of black metal and extreme rock. The connection between Satanism and music was both controversial and influential, shaping the image and sound of these genres. In particular, black metal is known for its association with Satanism. Emerging in the 1980s, bands such as Venom, Bathory and Mercyful Fate used satanic imagery as a means to shock and provoke. This subgenre of heavy metal is often characterized by fast tempo, piercing vocals and harsh guitar playing, creating an atmosphere of darkness and malice. Many of these groups openly profess Satanic beliefs or use Satanic symbols as part of their creative expression.

The extreme rock genre, which includes subgenres such as death metal and thrash metal, is also associated with Satanism. Bands such as Morbid Angel, Deicide and Slayer have delved into the themes of anti-religion, blasphemy and the occult. The aggressive and confrontational nature of their music often serves as a means of expressing satanic ideas and ideologies. The role of Satanism in the music industry is multifaceted. For some artists, it is a genuine expression of their beliefs and a means to challenge religious orthodoxy. For others, it serves as a provocative and sensational aesthetic designed to shock and provoke social norms. In addition, some artists use satanic imagery as a form of artistic rebellion against mainstream culture and as a way to create a sense of belonging to a subversive subculture.

The influence of Satanism in the music industry has been significant, causing controversy, moral panic, and even in some cases legal scrutiny. The music of performers associated with Satanism was often resisted by religious groups, which led to censorship and public outrage. However, he also found a deep response from fans who find in the music and its satanic imagery a sense of power, rebellion and nonconformity. In recent years, the satanic aspect of these genres has in some cases become less explicit as artists have moved away from explicit Satanic themes and images. However, the legacy and influence of Satanism in black metal and extreme rock continue to resonate, shaping the evolution and identity of these genres. Regardless of whether Satanism is seen as a genuine spiritual expression or a form of artistic rebellion, it has undoubtedly played a significant role in the music industry, leaving an indelible mark on the cultural landscape.

Satanism has been an important theme in film and literature for decades, often serving as a symbol of rebellion, temptation, and the dark aspects of human nature. His representation in these environments ranged widely from the intimidating and malicious to the philosophical and introspective. The purpose of this study is to study the depiction of Satanism in cinema and literature, as well as its impact on popular culture and society.

In both cinema and literature, Satanism has been portrayed in different ways: from the traditional biblical image of Satan to more modern interpretations that delve into the complexities of human morality and the nature of evil. In classic works such as John Milton's Paradise Lost, Satan is portrayed as a convincing antihero, challenging the authority of God and personifying the spirit of rebellion. Similarly, in films such as Rosemary's Baby and Omen, Satanism is used to create feelings of anxiety and fear, tapping into our primal anxieties about the supernatural and the unknown.

In recent years, there has been a shift in the representation of Satanism with an emphasis on the study of its philosophical and spiritual aspects. This is evident in novels such as The Satanic Verses by Salman Rushdie, and films such as The Witch and Heredity, which delve into the psychological and existential dimensions of Satanism, touching on themes of power, desire and the human condition. The influence of Satanism in film and literature goes beyond mere entertainment, often sparking discussions about morality, faith, and the nature of evil. This has raised questions about the role of religion in society, the limits of freedom of expression, and the ability of storytelling to challenge social norms and beliefs. Moreover, the representation of Satanism in popular culture has had a significant impact on society's perception of the occult and the supernatural. This has inspired a subculture of people who identify with Satanic principles, as well as fueled moral panic and controversy over the perceived dangers of Satanism.

The depiction of Satanism in film and literature has been diverse and complex, reflecting an ever-changing attitude towards religion, morality and human nature. His influence has gone beyond fiction, shaping our understanding of society and encouraging us to confront our deepest fears and desires. This study aims to shed light on the multifaceted nature of Satanism in popular culture, encouraging further research and discussion of this fascinating and mysterious topic.

Satanism has become an object of increased interest in modern media and social networks. This contradictory and often misunderstood system of religious and philosophical beliefs has attracted a lot of attention in recent years.: Both supporters and critics have used various platforms to engage in heated debates and discussions.

In the digital age, social media has played a significant role in shaping public perception of Satanism. As a result, the increased visibility of Satanic groups and individuals has caused considerable curiosity and controversy. This visibility has led to a surge in online discussions, memes, and sensational headlines, further fueling the intrigue surrounding Satanism. The portrayal of Satanism in the mainstream media has also contributed to its current prominence. Documentaries, news, and artistic imagery in films and television series depict Satanism in many ways, which often leads to significant public interest and debate. While some media outlets have tried to portray Satanism in a more subtle light, others have sensationalized and perpetuated misconceptions, further inflaming public curiosity.

Moreover, the growth of a culture of influence has also contributed to the spread of Satanism on social media. Influential figures and celebrities have publicly associated themselves with Satanic symbols and iconography, sparking debate and discussion about the consequences of such affiliation. Despite the contradictions and sensational images, many supporters of Satanism actively used social media as a platform to inform the public about their beliefs and correct misconceptions. They have used their online presence to engage in thoughtful discussions, debunk myths, and advocate for the recognition of Satanism as a legitimate belief system.

In conclusion, it should be noted that the depiction of Satanism in modern media and social networks has made it an object of intense interest and discussion. While some may see this attention as damaging the integrity of the belief system, others see it as an opportunity to correct misconceptions and promote a better understanding of Satanism in the public sphere.

 

References:

  1. Ковендиш, Р. Чёрная магия = The Black Arts / Р. Ковендиш; пер. с англ. А. Блейз. — Москва : Терра-Книжный клуб, 2000. — 416 с.
  2. Столяров, Ю. Н. Отражение книжной тематики в сатанизме как своеобразной субкультуре: древний этап / Ю. Н. Столяров // Вестник культуры и искусств. — 2018. — № 4 (56). — С. 7—15.
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